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Philosophy of Music

Music in Christianity

At one end of this spectrum is a position that denies that music can be expressive, and thus cannot attribute the value of music to its expressiveness (especially Hanslick 1854; see also Zangwill 2004). There are some aspects to most solutions to the mystery of the value of pure music..

Indeed, throughout history, several new forms or styles of music have been criticized as “not being music,” including the Beethoven Grosse Fuge string quartet in 1825, early jazz in the early 1900s, and hardcore punk in the years. 1980. There are many types of music, including folk music, traditional music, art music, music written for religious ceremonies, and work songs such as songs. Music ranges from strictly organized compositions such as classical music symphonies of the 1700s and 1800s, to improvised music performed spontaneously like jazz and avant-garde styles of contemporary music from the 20th and 21st centuries. surprisingly, those who see the experience of music expressiveness more deeply emotionally tend to emphasize this experience as more important to understand music and thus attribute much of the value of music to its expressiveness. On the other hand, those with a more detached theory of experiencing musical expression tend to pay less attention to this element in their theories of musical value….

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The focus of 20th century artistic music was the search for new rhythms, styles and sounds. The horrors of World War I affected many art forms, including music, and some composers began to explore darker and harsher sounds….

After the 18th century, reflections on the inner nature of music became more numerous and profound. The elements needed for a more comprehensive theory of function and its meaning became distinct. But philosophers whose views have so far been generalized did not speak as philosophers of music….

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Music interested them in external terms to themselves, to the observed effects; in connection with a dance, religious ritual or holiday ritual; because of its union with words; or for some other non-musical reason. The only common denominator that can be found besides recognizing different types of music is recognizing its connection to emotional life, and here, of course, lies this problematic ability of art to move. Various extra-musical activities are the understanding of the “contextual” explanations of music that relate to its relationship to the human environment. The history of music is largely an account of its auxiliary function in rituals and ceremonies of all kinds – religious, military, courtiers – and in musical theater. In addition, most universities in North America and Europe have several types of bands in which students of the liberal arts and humanities can participate, such as choirs, marching bands, concert bands, orchestras. Studying Western art music is becoming more common outside of North America and Europe, such as the Indonesian Institute of Arts in Yogyakarta, Indonesia, or classical music programs available in Asian countries such as South Korea, Japan, and China. At the same time, Western universities and colleges are expanding their curriculum to include music from non-Western cultures, such as African or Bali music (such as Gamelan music)…

Composers used traditional musical styles such as jazz and folk music as a source of ideas for classical music. Igor Stravinsky, Arnold Schoenberg and John Cage were influential composers in the field of artistic music of the 20th century. The invention of sound recording and the ability to edit music spawned a new sub-genre of classical music, including schools of electronic acoustic and concrete music composition. Sound recording has also greatly influenced the development of popular music genres, as it allowed the widespread distribution of song and band recordings…

The introduction of the multitrack recording system had a huge impact on rock music because it could do so much more than just record the performance of a band. Using a multitrack system, the band and their music producer were able to layer multiple layers of instrumental parts and vocals, creating new sounds that would not be possible with live performance. The creation, performance, meaning and even definition of music vary by culture and social context…


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